Indiana Jones takes one last swing at adventure, but this time, he’s battling Nazis, time travel, and the weight of nostalgia.

Guardians of the Galaxy Vol. 3 reaches for heartfelt closure but lands in heavy-handed territory, transforming a lively space saga into a somber, overextended farewell.

Midsommar is a hauntingly beautiful dive into grief, rebirth, and ritualistic horror—a breakup movie taken to grotesque, daylight-drenched extremes.

The French Dispatch is a vibrant love letter to print journalism, brimming with meticulous detail, quirky characters, and Wes Anderson’s signature charm.

Under the Silver Lake is a surreal, conspiracy-laden trip through LA that’s as baffling as it is mesmerizing.

No Country for Old Men is a haunting Coen Brothers masterpiece where fate hunts without mercy, embodied by Javier Bardem’s chilling Anton Chigurh. In a brutal Texas landscape, this tense, scoreless thriller grips viewers with its unyielding pace, stark visuals, and unsettling reminder that control is often just an illusion.

“A Man Called Otto” mixes Tom Hanks’ signature warmth with dark comedy and tender moments, creating a film that touches on grief and redemption through community, even if it feels like a Hallmark card for grumpy uncles.

Men is a visceral descent into madness and a haunting exploration of grief, toxic masculinity, and eerie folk horror, blending beautiful cinematography with unsettling performances to leave you as captivated as you are disturbed.”

Leave the World Behind squanders its talented cast and promising premise with heavy-handed social commentary, chaotic visuals, and a disjointed plot that leaves viewers more frustrated than thrilled.

Dungeons & Dragons: Honor Among Thieves is a chaotic, heart-filled fantasy heist that nails the humor and camaraderie of a true D&D campaign, offering plenty of laughs and action, even if the world-building feels a bit thin.

Nobody trades intrigue for relentless violence, offering a dad-bod twist on John Wick that’s entertaining but lacks depth, leaving viewers with a hollow, midlife-crisis-fueled action flick that never quite hits the mark.

Raging Bull dives into the self-destructive psyche of Jake LaMotta with unflinching intensity, delivering a bruising, operatic journey through violence, jealousy, and raw human frailty, anchored by De Niro’s unforgettable performance.