Dive into my latest blogs on art, life, and everything in between.
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The Game ★★★
When Life Hands You Lemons, Sign Up for a Mysterious Game and Watch Everything Go Haywire
I Saw the TV Glow ★★☆☆☆
A surreal nostalgia trip with more camp than clarity, I Saw the TV Glow fumbles its message beneath clunky time jumps and characters that barely feel real—unless your life’s also scripted by late-night TV.
The Beach Bum ★★★☆☆
The Beach Bum is a sun-soaked, wild ride where Matthew McConaughey’s Moondog blurs the line between living freely and simply being lost.
Enys men ★★★☆☆
Imagine a film where the protagonist’s morning ritual involves jotting down “no change” in a logbook as she stares at a patch of flowers on a desolate island. Welcome to Enys Men, where monotony is both the villain and the star of the show.
Retribution ★★★★☆
What do you get when you mix guilt, ghosts, and an existential detective thriller? You get Kiyoshi Kurosawa’s “Retribution,” a film that’s less about solving crimes and more about unraveling the unsettling fabric of the human mind. Welcome to Tokyo, where crime doesn’t just stain your hands—it haunts your entire soul.
Tuesday ★★★☆☆
Tuesday flutters between dark humor and heart-wrenching emotion, offering an offbeat, surreal journey through grief where a mother, her dying daughter, and a parrot named Death confront loss in the quirkiest of ways.
Color Out of Space ★★★☆☆
Color Out of Space is a trippy, unsettling dive into cosmic horror, where neon nightmares, Nicolas Cage, and some very unfortunate alpacas come together for a Lovecraftian acid trip you won’t soon forget.
The Menu ★★★★☆
The Menu serves up a chilling, satirical feast that skewers elitist culture with masterful precision—where haute cuisine meets horror, and the joke’s on anyone who thought they’d survive dessert.
The Barbie Movie ★★★☆☆
Barbie is a candy-coated rollercoaster that blends satire, feminist introspection, and plenty of glitter, serving up a surprisingly deep take on modern womanhood—but maybe with one existential crisis too many.
Beetlejuice Beetlejuice ★★★☆☆
Beetlejuice Beetlejuice is a nostalgia-packed romp with classic Burton chaos and Keaton’s iconic ghostly antics, but it’s more a playful haunt than a groundbreaking return, delivering laughs with a side of déjà vu.
Oblivion ★★★☆☆
Oblivion is a visually stunning sci-fi spectacle that teases deep themes but ends up more style than substance—a sleek, post-apocalyptic journey that’s as pretty as it is hollow.
Wild Tales ★★★★☆
Wild Tales delivers a deliciously chaotic mix of revenge and absurdity, capturing the cathartic pleasure of watching people snap under life’s relentless pressures.
Enter The Void ★★★☆☆
Enter the Void plunges you into a kaleidoscopic, unsettling afterlife that’s as relentless as it is visually mesmerizing.
American Beauty ★★★★☆
American Beauty exposes the surreal darkness of suburban life, where beauty and decay intertwine in one man’s quest to reclaim himself.
La Haine ★★★★★
La Haine is a raw, unflinching journey through society’s cracks, where the stark black-and-white visuals amplify the explosive tension and gritty reality faced by three young men on the outskirts of Paris—delivering a brutal message on violence, alienation, and the inevitability of a crash landing we’re all complicit in.
Longlegs★☆☆☆☆
Longlegs promises horror but delivers a sluggish nightmare of missed potential, with Nicolas Cage’s wild antics and Maika Monroe’s blank stares failing to inject life into this plodding supernatural thriller that’s more cringe than creepy.
Quo Vadis ★★★★☆
Quo Vadis is a gloriously over-the-top Hollywood epic where Nero burns Rome for fun, Christianity battles decadence, and Peter Ustinov steals the show as the maddest, most flamboyant emperor ever put to screen.
The Haunted Mansion ★★☆☆☆
Disney’s Haunted Mansion (2023) has all the charm of a well-decorated Halloween bash—but with jokes that land flat and a tone that’s as wobbly as a ghost in need of a guiding light, it’s more forgettable than frightening.
MaXXXine ★★★☆☆
Mia Goth shines as a gritty dreamer in MaXXXine, a wild, neon-drenched conclusion to Ti West’s horror trilogy that slices through Hollywood’s 1980s underbelly with a grim sense of humor—even if it sometimes gets lost in its own glitzy chaos.
Indiana Jones and the Dial of Destiny ★★★☆☆
Indiana Jones takes one last swing at adventure, but this time, he’s battling Nazis, time travel, and the weight of nostalgia.