Tuesday flutters between dark humor and heart-wrenching emotion, offering an offbeat, surreal journey through grief where a mother, her dying daughter, and a parrot named Death confront loss in the quirkiest of ways.

Barbie is a candy-coated rollercoaster that blends satire, feminist introspection, and plenty of glitter, serving up a surprisingly deep take on modern womanhood—but maybe with one existential crisis too many.

Wild Tales delivers a deliciously chaotic mix of revenge and absurdity, capturing the cathartic pleasure of watching people snap under life’s relentless pressures.

American Beauty exposes the surreal darkness of suburban life, where beauty and decay intertwine in one man’s quest to reclaim himself.

La Haine is a raw, unflinching journey through society’s cracks, where the stark black-and-white visuals amplify the explosive tension and gritty reality faced by three young men on the outskirts of Paris—delivering a brutal message on violence, alienation, and the inevitability of a crash landing we’re all complicit in.

Quo Vadis is a gloriously over-the-top Hollywood epic where Nero burns Rome for fun, Christianity battles decadence, and Peter Ustinov steals the show as the maddest, most flamboyant emperor ever put to screen.

The French Dispatch is a vibrant love letter to print journalism, brimming with meticulous detail, quirky characters, and Wes Anderson’s signature charm.

Under the Silver Lake is a surreal, conspiracy-laden trip through LA that’s as baffling as it is mesmerizing.

Tetris aims for Cold War intrigue but delivers a clunky boardroom thriller that misses the addictive spark of the game, leaving viewers stacking frustration rather than excitement.

La Grande Bellezza dazzles with a haunting blend of beauty and existential dread, capturing life’s fleeting glamour and the emptiness left in its wake.