Is ‘The Square’ a sharp critique of modern art or just an overlong performance piece testing your patience? Read my Review to find out

What happens when a razor-tongued critic’s pen turns from crafting brutal reviews to weaving a web of manipulation and scandal in 1930s London?

“A Man Called Otto” mixes Tom Hanks’ signature warmth with dark comedy and tender moments, creating a film that touches on grief and redemption through community, even if it feels like a Hallmark card for grumpy uncles.

Raging Bull dives into the self-destructive psyche of Jake LaMotta with unflinching intensity, delivering a bruising, operatic journey through violence, jealousy, and raw human frailty, anchored by De Niro’s unforgettable performance.

1984 immerses you in Orwell’s haunting dystopia with unrelenting bleakness, faithfully capturing the oppressive weight of totalitarianism and leaving viewers both unsettled and exhausted.

Leaving Las Vegas plunges you into a haunting tale of self-destruction and raw human connection, capturing beauty in despair with heartbreaking honesty.

Un Prophète is a relentless journey of brutal self-transformation, turning a young prisoner into a criminal kingpin in a gripping tale of survival and systemic corruption.

Cruella struts through 1970s London with punk flair and high fashion, transforming Disney’s iconic villain into a stylish, chaotic anti-hero with a wickedly fun backstory.

Shoplifters pulls you into a makeshift family’s world of love and moral ambiguity, making you question the true meaning of belonging.

Spike Jonze’s Her turns a man’s love affair with his operating system into a hauntingly real meditation on connection, loneliness, and what it means to be human.